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Oil paintings by Marie Louise Elisabeth Vigee
 Portrait of Mme D'Aguesseau. c. 1770
Portrait of Mme D'Aguesseau. c. 1770
 The Duchess de Polignac. 1783
The Duchess de Polignac. 1783
 The Marquise de Peze and the Marquise de Rouget with Her Two Children. 1787
The Marquise de Peze and the Marquise de Roug...
 Self-Portrait in a Straw Hat. 1780s
Self-Portrait in a Straw Hat. 1780s
 Portrait of the Painter Hubert Robert. 1788
Portrait of the Painter Hubert Robert. 1788
 Portrait of a Lady. 1789
Portrait of a Lady. 1789
 Prince Heinrich Lubomirski as the Genius of Fame. 1789
Prince Heinrich Lubomirski as the Genius of F...
 Self-Portrait. 1790
Self-Portrait. 1790
 Baroness Anna Sergeevna Stroganova and Her Son Sergey. 1793
Baroness Anna Sergeevna Stroganova and Her So...
 Count Grigory Ivanovich Tchernyshov Holding a Mask. 1793
Count Grigory Ivanovich Tchernyshov Holding a...
 Portrait of Baron Grigory Alexandrovich Stroganoff (1770-1857). 1793.
Portrait of Baron Grigory Alexandrovich Strog...
 Portrait of Countess Varvara Golovina. c. 1800
Portrait of Countess Varvara Golovina. c. 180...
 Self Portrait. 1800
Self Portrait. 1800
 Portrait of Stanislas Augustus Poniatowski.
Portrait of Stanislas Augustus Poniatowski.
 Portrait of Queen Marie Antoinette with Children
Portrait of Queen Marie Antoinette with Child...
 Portrait of Countess Catherine Skavronskaya
Portrait of Countess Catherine Skavronskaya
 Self Portrait with Daughter (Jeanne Julie Louise, 1780-1809).
Self Portrait with Daughter (Jeanne Julie Lou...
 Self Portrait with Daughter
Self Portrait with Daughter
 Portrait of Marie Antoinette
Portrait of Marie Antoinette
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  • Marie Louise Elisabeth Vigee
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    Biography:
        Louise-Elisabeth Vig¨¦e-Lebrun (1755-1842) Louise-¨¦lisabeth Vig¨¦e-Lebrun, French artist, the daughter and student of her father, the artist Louis Vig¨¦e, was born on 16th April, 1755 in Paris. In 1776, she married the known art-dealer Jeanne Baptiste Pierre Lebrun. She made an early and brilliant career: in 1779 she officially became a court painter of the Queen Marie-Antoinette, in 1783 she was admitted to the French Academy of Arts. ¡°Intelligent, diplomatic, resourceful, and independent, she remains a role model to women who paint, having won wide recognition for her skills and gained admission to academies long closed to her sex.¡± (Paintings in the Hermitage. by Colin Eisler. 1990. Stewart, Tabori & Chang. p 516) Vig¨¦e-Lebrun was an extremely industrious and productive painter, she left more than 30 portraits of the queen and her ladies-in-waiting, many self portraits, and a lot of portraits of the European nobility. Her portraits are elegant and rich in color, very sentimental and idealized the model. But the evident difference of the models from their pictorial depiction did not embarrass the customers. Vig¨¦e-Lebrun was fashionable with the European aristocracy. Her fame grew even more with her immigration during the French Revolution first to Italy (1789-93), then to Vienna (1793-94), and then to St. Petersburg (1795-1802), where she also spent 6 very successful years painting portraits of Russian aristocrats. In her best works the magnificent art of French portraitists of the 18th century and fine sensitiveness of the European sentimentalism are happily united. ....
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