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Oil paintings by Jusepe de Ribera
 St. Jerome Hears the Trumpet. 1626
St. Jerome Hears the Trumpet. 1626
 St. Jerome and the Angel of Judgment. 1626
St. Jerome and the Angel of Judgment. 1626
 St. Sebastian, St. Irene, and St. Lucila. 1628
St. Sebastian, St. Irene, and St. Lucila. 162...
 The Martyrdom of St. Andrew. 1628
The Martyrdom of St. Andrew. 1628
 The Martyrdom of St. Bartholomew. c. 1628
The Martyrdom of St. Bartholomew. c. 1628
 Archimedes. 1630
Archimedes. 1630
 Saint Onuphrius. 1637
Saint Onuphrius. 1637
 Diogenes with His Lantern. 1637
Diogenes with His Lantern. 1637
 St. Christopher. 1637
St. Christopher. 1637
 The Martyrdom of St. Philip. 1639
The Martyrdom of St. Philip. 1639
 Jacob's Dream. 1639
Jacob's Dream. 1639
 The Deliverance of St. Peter. 1639
The Deliverance of St. Peter. 1639
 The Holy Family. 1639
The Holy Family. 1639
 The Penitent Magdalen. 1641
The Penitent Magdalen. 1641
 St. Agnes. 1641
St. Agnes. 1641
 The Deliverence of St. Peter from Prison. 1642
The Deliverence of St. Peter from Prison. 164...
 The Beggar, known as the Club-foot. 1642
The Beggar, known as the Club-foot. 1642
 St. Francis. 1643
St. Francis. 1643
 The Adoration of the Shepherds. 1650
The Adoration of the Shepherds. 1650
 St. Paul the Hermit. Oil on canvas. Louvre, Paris, France.
St. Paul the Hermit. Oil on canvas. Louvre, P...
 The Deposition.
The Deposition.
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  • Jusepe de Ribera
    Biography:
        Jusepe de Ribera (1591-1652) Jusepe de Rivera was born in J¨¢tiba, near Valencia, where he was probably trained by Francisco Ribalta (1565-1628). In 1612-1613, Rivera left for Italy, where he led the life of a half-beggar, constantly traveling throughout the country. During his travels to Parma, Padua and Rome, Rivera became acquainted with the works of Raphael, Correggio, Titian and Veronese. In 1616, he settled in Naples, then owned by Spain, and developed a style, which owed much to Caravaggio. In Naples, Ribera became a painter to the Spanish Viceroy and later to his successor, the Duke of Monterrey, who procured commissions from the Augustine monastery in Salamanca (Nativity, Piet¨¤, The Virgin with Saints Anthony and Augustine. 1631-1635). He subsequently abandoned the dark and somber style, finding new ways of treating light and using brilliant colors. His Boy with a Clubfoot is typical of his more mature style, both thematically and in terms of pictorial composition. During this period of realism he had a leaning towards harrowing subjects, the crippled and malformed. Ribera spawned a school of his own. Italian, Spanish and Flemish painters were engaged in his workshop, and while Rivera was of particular importance to Neapolitan art, great painters, such as Rembrandt and Vel¨¢squez, also found him an inspiration. Died in Naples in 1652. ....
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