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Oil paintings by Miró, Joan (Spanish, 1893-1983)
 The Farmer. c. 1912
The Farmer. c. 1912
 Still Life with Rose. 1916
Still Life with Rose. 1916
 Prades, the Village. 1917
Prades, the Village. 1917
 Ciurana, the Path. 1917
Ciurana, the Path. 1917
 North-South. 1917
North-South. 1917
 Portrait of E.C. Ricart. 1917
Portrait of E.C. Ricart. 1917
 Portrait of V. Nubiola. 1917
Portrait of V. Nubiola. 1917
 Self-Portrait. 1917
Self-Portrait. 1917
 Portrait of Hiberto Casany. (The Chauffeur). 1918
Portrait of Hiberto Casany. (The Chauffeur). ...
 The Vegetable Garden with Donkey. 1918
The Vegetable Garden with Donkey. 1918
 The Waggon Tracks. 1918
The Waggon Tracks. 1918
 Self-Portrait. 1919
Self-Portrait. 1919
 Nude with Mirror. 1919
Nude with Mirror. 1919
 The Table (Still Life with Rabbit). 1920
The Table (Still Life with Rabbit). 1920
 Standing Nude. 1921
Standing Nude. 1921
 The Farm. 1921
The Farm. 1921
 The Carbide Lamp. 1922
The Carbide Lamp. 1922
 The Farmer's Wife. 1922
The Farmer's Wife. 1922
 The Ear of Corn. 1922
The Ear of Corn. 1922
 The Tilled Field. 1923
The Tilled Field. 1923
 Catalan Landscape (The Hunter). 1923
Catalan Landscape (The Hunter). 1923
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  • Miró, Joan (Spanish, 1893-1983)
    name
    Biography:
        Joan Mir¨® Ferra was born on April 20, 1893 in Barcelona, into the family of a goldsmith and watchmaker. Mir¨® started drawing classes at the age of seven, but later yielding to his parents¡¯ insistence to receive a decent profession took business classes and became a book-keeper. Simultaneously, in 1907-10 Joan Mir¨® studied art in the academy La Escuela de la Lonja in Barcelona in the class of the landscapist Modesto Urgell Inglada and professor of decorative and applied arts Jos¨¦ Pasco Merisa. In 1912-15, he studied in the private academy of Francese D¡¯A. Gal¨ª Fabra. In 1918, together with some like-minded friends Mir¨® founded ¡°Agrupaci¨® Courbet¡±, a group of young artists who opposed themselves to conservative traditions in Catalan art. In his works of 1913-17 the most important are the influences of C¨¦zanne and the Fauvists: objects are close to each other and shine with bright and broken colors; striped patterns make up a kind of decorative ornament... ....
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