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Oil paintings by Lotto, Lorenzo (Italian, 1480-1556)
 Portrait of a Young Man. c. 1505
Portrait of a Young Man. c. 1505
 Allegory. 1505
Allegory. 1505
 Maiden's Dream. c. 1505
Maiden's Dream. c. 1505
 St. Jerome in the Desert. c. 1506
St. Jerome in the Desert. c. 1506
 St. Dominic Polyptych. 1506
St. Dominic Polyptych. 1506
 Holy Conversation. 1508
Holy Conversation. 1508
 Portrait of a Young Man against a White Curtain. c. 1508
Portrait of a Young Man against a White Curta...
 St. Jerome in the Desert. c. 1509
St. Jerome in the Desert. c. 1509
 Susanna and the Elders. 1517
Susanna and the Elders. 1517
 San Bernandino Altarpiece. 1521
San Bernandino Altarpiece. 1521
 Christ Taking Leave of His Mother. 1521
Christ Taking Leave of His Mother. 1521
 St. Catherine. 1522
St. Catherine. 1522
 Portrait of Messer Marsilio and His Wife. 1523
Portrait of Messer Marsilio and His Wife. 152...
 The Nativity. 1523
The Nativity. 1523
 The Legend of St. Barbara. 1524
The Legend of St. Barbara. 1524
 An Architect. c. 1525
An Architect. c. 1525
 Portrait of a Young Man with a Book. c. 1526
Portrait of a Young Man with a Book. c. 1526
 A Young Man. 1526
A Young Man. 1526
 The Annunciation. c. 1527
The Annunciation. c. 1527
 Portrait of Andrea Odoni. c. 1527
Portrait of Andrea Odoni. c. 1527
 The Angel of the Annunciation. c. 1530
The Angel of the Annunciation. c. 1530
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  • Lotto, Lorenzo (Italian, 1480-1556)
    Biography:
        Lorenzo Lotto, one of the most important 16th century Venetian painters, lived an unsettled life. He grew up in Venice under the influence of Giovanni Bellini (reputedly Lotto got his professional training in his studio) and the works of Antonello da Messina. Then he traveled to Marches, where he saw the works of Melozzo da Forli and Luca Signorelli. These sharpened his understanding of perspective and precise presentation of human movement. Then came his work in the Vatican (1509-1511), of which no traces remain. The artist was recognized while working in Bergamo (1513-1525), where he painted altarpieces, portraits and fresco cycles. The perfect example of his work is Susanna and the Elders. (1517), one of Lotto¡¯s masterpieces. In his religious works Lotto abandoned traditional patterns of composition, e.g. The Annunciation. (c. 1527). Lotto was also an outstanding portraitist, though we do not know anything about the people he depicted. The artist preserved for history their appearances and sometimes their names, but not their stories. After Bergamo he tried to settle in Venice, but his lack of success in his native city caused him to retire to the Marches in 1549. In his last years, his painting became hesitant and uncertain. Lotto supposedly went blind. Already an old man, he took vows as a lay-brother and entered the Sanctuary of the Santa Casa in Loreto. ....
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