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Oil paintings by Paul Klee(1879 - 1940)
 On a Motif from Hamamet. 1914
On a Motif from Hamamet. 1914
 Hermitage. 1918
Hermitage. 1918
 Cosmic Composition. 1919
Cosmic Composition. 1919
 Nocturnal Festivity. 1921
Nocturnal Festivity. 1921
 A Young Lady's Adventure. 1921
A Young Lady's Adventure. 1921
 Crystal Gradation. 1921
Crystal Gradation. 1921
 Revolving House. 1921
Revolving House. 1921
 Red Balloon. 1922
Red Balloon. 1922
 Senecio. 1922
Senecio. 1922
 Puppet Theater. 1923
Puppet Theater. 1923
 Carnival in the Mountains. 1924
Carnival in the Mountains. 1924
 Botanical Theater. 1924
Botanical Theater. 1924
 Fish Magic. 1925
Fish Magic. 1925
 Gate in the Garden. 1926
Gate in the Garden. 1926
 Reconstructin. 1926
Reconstructin. 1926
 Around the Fish. 1926
Around the Fish. 1926
 Attrappen (Omega 5), 1927
Attrappen (Omega 5), 1927
 Little Jester in a Trance. 1929
Little Jester in a Trance. 1929
 Monument in Fertile Country. 1929
Monument in Fertile Country. 1929
 Fire in the Evening. 1929
Fire in the Evening. 1929
 Ad Marginem. 1930
Ad Marginem. 1930
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  • Paul Klee(1879 - 1940)
    Biography:
        Paul Klee (1879 - 1940) Paul Klee was born on 18 December 1879 near Bern in Switzerland into the family of Hans Klee, a music teacher, and his wife Maria Frick, also a musician. As a boy Paul learned to play violin. As well as his training in music, he received a thorough classical education in the Literarschule in Bern. Ancient Greek, modern French, classic and contemporary French and German art, and literature were his favorites. Klee graduated from the school in 1898. Through his later schooldays he hesitated between music and art for a career, finally choosing art and the Munich Academy, where he would study it. Klee arrived in Munich in October 1898 and at first studied privately. The next year he entered the Academy, where he spent 2 years. Feeling unsatisfied with his academic education, Klee left the Academy and traveled in Italy from October 1901 to May 1902. His early work was almost exclusively pen-and-ink drawings and etchings, many of them satirical. He showed his work in different exhibitions and joined a Swiss graphic artists' society. In 1905 he made his first visit to Paris. In 1906, Klee married the pianist Lily Stumpf and they settled in Munich, then an important center of avant-garde art. In 1910-11 Klee had his first major exhibitions in the 3 cities of Switzerland: Bern, Zurich, and Basel. In 1912, he contributed 17 graphic works to the second exhibition of Der Blaue Reiter (The Blue Rider), the avant-garde artistic society founded by W. Kandinsky and Franz Marc. That same year Klee visited Robert Delaunay in Paris. The latter¡¯s influence on Klee¡¯s development is considered the strongest outside his immediate circle of avant-garde Munich painters. Klee¡¯s translation of Delaunay's essay "On Light" appeared in the Sturm in January 1913. In April 1914 he and fellow painters Macke and Louis Molliet visited Tunisia. However, he interrupted the voyage abruptly and returned home, feeling that he had ¡°suddenly grasped the idea of light and was a painter now¡±. During the First World War, Klee was not immediately conscripted, but in March 1916 he was called up for infantry training and then attached to an air force unit where he repaired damaged aircraft, painting their numbers and insignia. Though Klee had few opportunities for artistic work, he managed to do some painting on aircraft canvas. In 1918 he returned to Munich. The avant-garde circle in Munich had been dispersed - Macke and Franz Marc had been killed while Kandinsky had returned to Russia. Klee stayed in Munich alone and continued to develop his ideas. In November 1920 Klee was invited to teach at the Bauhaus at Weimar, where his friend W. Kandinsky would also become a faculty member in 1922. Bauhaus was an innovative school aiming at uniting fine and applied arts and architecture i....
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