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Oil paintings by Igor Grabar
 Lady by Piano. 1899
Lady by Piano. 1899
 Lady with a Dog. 1899
Lady with a Dog. 1899
 Ray of Sun. 1901
Ray of Sun. 1901
 Late Afternoon. Detail. 1904
Late Afternoon. Detail. 1904
 Under Birches. 1904
Under Birches. 1904
 Winter. Rook Nests. 1904
Winter. Rook Nests. 1904
 February Day. 1904
February Day. 1904
 Snowdrifts. 1904
Snowdrifts. 1904
 March Snow. 1904
March Snow. 1904
 Spring Springs. 1904
Spring Springs. 1904
 Jam Jar and Apples. 1904
Jam Jar and Apples. 1904
 Flowers and Fruits on Grand-Piano. 1904
Flowers and Fruits on Grand-Piano. 1904
 Pavilion in Kuzminki. 1904
Pavilion in Kuzminki. 1904
 Frost. 1905
Frost. 1905
 Chrisantemums. 1905
Chrisantemums. 1905
 Samovar. 1905
Samovar. 1905
 Lilacs and Forget-Me-Nots. 1905
Lilacs and Forget-Me-Nots. 1905
 Apples. 1905
Apples. 1905
 Winter. 1906
Winter. 1906
 Winter Morning. 1907
Winter Morning. 1907
 Untidy Table. 1907
Untidy Table. 1907
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  • Igor Grabar
    name
    Biography:
        Igor Grabar (1871-1960) Igor Emmanuilovich Grabar was born in Budapest (then the Austro-Hungarian Empire, now Hungary) in 1871. His parents, and grand-parents, were active participants of the Slav liberation movement and were persecuted by the government. The little boy saw his parents very rarely. In 1876 his father had to flee to Russia; his wife and the boy follow in 1880. In 1882, after graduating from a gymnasium in the provincial town of Egorievsk, Grabar studied in the Moscow Lyceum, where, along with academic studies he learnt painting, studied art, visited galleries and exhibitions and made acquaintances with artists, art patrons and critics. His classmates and teachers in the Lyceum served as models for his first paintings; he was also fond of landscapes. In 1889, he entered the St. Petersburg University, where he majored simultaneously in two subjects ¨C jurisprudence and philology. He had to work to earn his living and he did so by writing humorous short stories for magazines and drawing illustrations. In 1894, after graduating from the university, Grabar entered the St. Petersburg Art Academy. During the summer of 1895 he went abroad, visiting Berlin, Paris, Venice, Florence, Rome and Naples. In Italy he was impressed with the masters of the High Renaissance, and in Paris by the works of Impressionists and Post-Impressionists. After his trip to Paris and his acquaintance with contemporary European art, the dry, empiric education of St. Peterburg no longer satisfied him. Grabar went abroad. He spent the years 1896-1901 in Munich, in the art school of Anton Azb¨¨. Though this period in his work is usually called the Munich period, he visited Paris regularly during this time, and the works of contemporary Parisian artists influenced his art as well, e.g. Lady by Piano (1899). Lady with a Dog. (1899). On his return to Russia in 1901, Grabar concentrated primarily on landscapes, painting them in his own Impressionist techniques. For much of the time, he painted en plein air. Some of his most famous works belong to this period, including September Snow (1903), Winter. Rook Nests (1904), February Day (1904), March Snow (1904), Chrisanthemums (1905) and others. Between the years 1910 and 1923, he painted very little. The artist was very multi-faced, fond of architecture, art history, museum work, preservation of historic places. He planned and realized the publishing of the first History of Russian Art (1909-1916), large parts of which he wrote himself. He also published monographs about Valentin Serov and Isaac Levitan. For 12 years (1913-25), Grabar headed the Tretyakov Gallery, the biggest collection of Russian art in the world. In 1918, the Central Restoration Shops were organized on his initiative. Grabar would participate in its work until the end of his ....
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