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Oil paintings by Hugo van der Goes
 Adoration of the Magi. (central panel of the Monforte Altar; from the Monforte de Lemos cloister, Sp
Adoration of the Magi. (central panel of the ...
 The Fall of Adam. (left side of a diptych) Before 1470
The Fall of Adam. (left side of a diptych) Be...
 Portinari Altar. 1476
Portinari Altar. 1476
 Adoration of the Shepherds. (cenral panel of the Portinari Altar). 1476-1478
Adoration of the Shepherds. (cenral panel of ...
 Tommaso Portinari with his sons and SS. Thomas and Anthony Abbot. The left panel of the Portinari Al
Tommaso Portinari with his sons and SS. Thoma...
 Maria Baroncelli with Her Daughter Margarita and SS. Margaret and Mary Magdalene. The right panel of
Maria Baroncelli with Her Daughter Margarita ...
 The Adoration of the Shepherds. c. 1480
The Adoration of the Shepherds. c. 1480
 Death of the Virgin. c.1480
Death of the Virgin. c.1480
 The Lamentation (The Three Marys and John the Evangelist). c. 1480
The Lamentation (The Three Marys and John the...
 The Lamentation.
The Lamentation.
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  • Hugo van der Goes
    Biography:
        Hugo van der Goes (c.1440/1445- 1482) Hugo van der Goes, alongside the somewhat younger Hieronymus Bosch, is the most important Netherlandish painter of the second half of the 15th century. Little is known about his life, and his artistic origins are also unclear. Records from 1480 state him as being born in Ghent. Since he was granted the title of master painter in Ghent in 1467, he must have been born around 1440-1445. As early as 1477, he gave up his workshop and became a lay brother at the Red Monastery near Brussels, where he died in 1482 after a severe mental illness. The Portinari Altar (1476-78) is his only authenticated surviving work, around which others can nevertheless be grouped with some certainty: Monforte Altar, The Fall of Adam, one of his earliest surviving works, and several others. Hugo van der Goes occupies a unique position in painting history because of his insight into character and class and through his intensely observant, almost surreal, rendering of nature and space. Hugo¡¯s Portinari Altar, which was erected in Florence in 1478, exercised a revolutionary influence upon Florentine painting; it was felt by many of the Florence painters and is reflected in particular in the works of Ghirlandaio, Filippino Lippi, and Leonardo da Vinci. ....
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