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Oil paintings by Jacques-Louis David
 Portrait of Marie-Fran?oise Buron, the Artist's Cousin. c. 1769
Portrait of Marie-Fran?oise Buron, the Artist...
 The Combat of Mars and Minerva. 1771
The Combat of Mars and Minerva. 1771
 Sorrow. 1773
Sorrow. 1773
 Antiochus and Stratonice. 1774
Antiochus and Stratonice. 1774
 The Funeral of Patroclus. 1778
The Funeral of Patroclus. 1778
 St. Roch Interceding with the Virgin for the Plague Striken. 1780
St. Roch Interceding with the Virgin for the ...
 Portrait of Count Stanislas Potocki. 1780
Portrait of Count Stanislas Potocki. 1780
 Belisaire demandant l'aumone. 1781
Belisaire demandant l'aumone. 1781
 Christ on the Cross. 1782
Christ on the Cross. 1782
 Portrait of Doctor Alphonse Leroy. 1783
Portrait of Doctor Alphonse Leroy. 1783
 Andromache Mourning Hector. 1783
Andromache Mourning Hector. 1783
 The Oath of Horatii. 1784
The Oath of Horatii. 1784
 The Oath of Horatii. Detail. 1784
The Oath of Horatii. Detail. 1784
 Portrait of Charles-Pierre P¨¦coul, Contractor of Royal Buildings, Father-in-Law of the Artist. 1784
Portrait of Charles-Pierre P¨¦coul, Contracto...
 Portrait of Madame P¨¦coul, Mother-in-Law of the Artist. 1784
Portrait of Madame P¨¦coul, Mother-in-Law of ...
 The Death of Socrates. 1787
The Death of Socrates. 1787
 The Love of Paris and Helen. 1788
The Love of Paris and Helen. 1788
 Portrait of Antoine-Laurent and Marie-Anne Lavoisier. 1788
Portrait of Antoine-Laurent and Marie-Anne La...
 The Lictors Returning to Brutus the Bodies of His Sons. 1789
The Lictors Returning to Brutus the Bodies of...
 The Lictors Returning to Brutus the Bodies of His Sons. Detail. 1789
The Lictors Returning to Brutus the Bodies of...
 The Lictors Returning to Brutus the Bodies of His Sons. Detail. 1789
The Lictors Returning to Brutus the Bodies of...
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  • Jacques-Louis David
    Biography:
        Jacques-Louis David (1748-1825) David was born into the family of a wealthy Parisian merchant on August 30, 1748. When the boy was about 10 years old his father, Louis-Maurice, died after a pistol duel. David's two uncles, Fran?ois Buron (1731-1818) and Jacques- Fran?ois Desmaisons (c.1720-89) who were both architects and building contractors, took care of the boy's upbringing. First he was educated at a boarding school and the Coll¨¨ge des Quatre Nations in Paris. When he decided on the career of an artist his uncles helped him to become a student of Joseph-Marie Vien (1716-1809), a professor at the Academy who had a reputation as a good teacher. As many young painters, David used his close relatives as his models, thus he painted both his uncles, his aunt Marie-Josephe, and his cousin Marie-Fran?oise, who had supported his wish to become a painter. In 1766-1774 David studied at the Royal Academy of Painting and Sculpture, in Vein's class. The goal of practically every Academy student was to win the premier student prize: the Grand Prix, or Prix de Rome. David took part in the competition every year starting from 1770, until at last in 1774 he finally won it with Antiochus and Stratonice. After that he spent 5 years in Italy (1775-1780), where drew from antique models. On his return to Paris in 1780, Ancient history and mythology became his favorite subject. In 1781 David was made an Associate member of the Academy for his work Belisarius, which was much admired, and two years later, in 1783, he became a full Academician for Andromache Mourning Hector. In 1784, he fulfilled Louis XVI¡¯s commission - The Oath of the Horatii. David enthusiastically greeted the French Revolution and from 1789 he actively participated in political life. In 1791 he was elected a deputy of the Convention from Paris. He voted for the death of Louis XVI in 1793 and supported Robespierre¡¯s and the left radicals¡¯ regime; David was a member of the Committee of Public Safety and artistic director of the great national f¨ºtes founded on classical customs. After the 9 Termidor (27 July) 1794 coup, when Robespierre and his closest supporters were overthrown and hurriedly executed by the temporary coalition of both left- and right-wing moderates in the Convention, David was arrested twice and narrowly escaped with his life. His political career ended, but his artistic career revived. The most prominent work of the second half of the 1790s was The Intervention of the Sabine Women. In 1797 he met Napoleon and was granted a single portrait sitting, during which David did not manage to paint much, but was absolutely captivated by Napoleon's personality. Later on David created many paintings devoted to his new hero and his relatives: Bonaparte Crossing the St. Bernard Pass (1800), Napoleon in His Stud....
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