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Oil paintings by Robert Campin
 Nativity. c. 1425
Nativity. c. 1425
 Portrait of Robert de Masmines. c. 1425
Portrait of Robert de Masmines. c. 1425
 Madonna by a Grassy Bank. c. 1425
Madonna by a Grassy Bank. c. 1425
 The Annunciation. (The Merode Altarpiece). The left and central panels of the triptych. c. 1425
The Annunciation. (The Merode Altarpiece). Th...
 The Annunciation. (The Merode Altarpiece). The right panel of the triptych. c. 1425
The Annunciation. (The Merode Altarpiece). Th...
 Portrait of A Woman. c. 1430
Portrait of A Woman. c. 1430
 Portrait of A Man. c. 1430
Portrait of A Man. c. 1430
 St. Veronica. c. 1430
St. Veronica. c. 1430
 Heinrich von Werl and St. John the Baptist. 1438
Heinrich von Werl and St. John the Baptist. 1...
 St. Barbara. 1438
St. Barbara. 1438
 St. Barbara. Detail. 1438
St. Barbara. Detail. 1438
 Mourning Trinity (Throne of God). Detail.
Mourning Trinity (Throne of God). Detail.
 Mourning Trinity (Throne of God). Detail.
Mourning Trinity (Throne of God). Detail.
 Madonna and Child before a Fireplace.
Madonna and Child before a Fireplace.
 The Virgin and Child Before a Firescreen.
The Virgin and Child Before a Firescreen.
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  • Robert Campin
    Biography:
        Robert Campin (Master of Flemalle) (1375/80-1444) Campin was born around 1380 in Tournai, where he qualified as a master in 1406/07. Together with the Van Eyck brothers, he may be considered the founder of the Netherlandish painting of the Early Renaissance. While the influence of the Limburg brothers and Burgundian court art can still be felt in his early work (Betrothal of the Virgin and Annunciation), he soon turned to three-dimensional figure representation and the exploration of depth: Nativity. (c. 1425-1430). These reach a climax in CampinĄŻs late works, in which the painter becomes almost obsessed with perspective (The M¨Środe Altar, so called after its original location, now in Metropolitan Museum). He was probably the teacher of Rogier van der Weyden from 1427 to 1432. Not all art historians agree that Campin and Master of Fl¨Śmalle, the name given to the unknown author of the altarpiece from Fl¨Śmalle monastery, is the same person. ....
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