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Oil paintings by Antonello da Messina
 Christ Blessing. 1465
Christ Blessing. 1465
 A Young Man. 1474.
A Young Man. 1474.
 St. Sebastian. c. 1475
St. Sebastian. c. 1475
 St. Sebastian. Detail. c. 1475
St. Sebastian. Detail. c. 1475
 Crucifixion. c. 1475
Crucifixion. c. 1475
 St. Jerome in His Study. c. 1474
St. Jerome in His Study. c. 1474
 Virgin Annunciate. c. 1475
Virgin Annunciate. c. 1475
 Madonna with the Saints Nicholas of Bari, Anastasia, Ursula and Dominic (San Cassiano Altar). 1475
Madonna with the Saints Nicholas of Bari, Ana...
 Portrait of a Man. 1476
Portrait of a Man. 1476
 A Young Man. 1478
A Young Man. 1478
 Crusifixion. Oil on wood. Szepmuveseti Muzeum, Budapest, Hungary. More. ADM101_12
Crusifixion. Oil on wood. Szepmuveseti Muzeum...
 Portrait of Unknown Man.
Portrait of Unknown Man.
 The Annunciation. Detail.
The Annunciation. Detail.
 The Annunciation. Detail.
The Annunciation. Detail.
 Madonna and Child.
Madonna and Child.
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  • Antonello da Messina
    Biography:
        Antonello da Messina (c. 1430-79) Born c. 1430 in Messina, the painter Antonello for a long time was famed for having introduced oil painting to the Italian art. ¡°Once this new secret that Antonello had brought from Flanders into the city of Milan had been understood, Antonello was admired and cherished by those magnificent noblemen for as long as he lived,¡± wrote Giorgio Vasari. Alexander Rauch in The Art of the Italian Renaissance states, however, that Antonello da Messina did not, as Vasari reports, go to Flanders and there become ¡®a friend of Johannes¡¯ (i.e. Jan van Eyck), and then return to Italy to share the secret. ¡°It is much more likely that he is in fact identical with one Antonello di Sicilia, who, at the beginning of 1456 in Milan, was in contact with Netherlandish painter Petrus Christus, from whom he adopted the new method of painting.¡± Antonello da Messina was trained in the cosmopolitan environment of Naples of the 1450s, where, which is more probable, he encountered Flemish art. From his earliest work, Antonello combined Flemish attention to detail with an Italian sense of geometric space. The high point of his career was his stay in Venice between 1474-76, where he introduced Netherlandish painting and produced works of enormous power, such as his extraordinary St. Sebastian. Antonello was one of the best portrait painters of the 15th century. His sitters are turned three-quarters on, and their faces wear vivid psychological expressions ....
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